It's been nearly ten years since the launch of Eighteenth Century Collections Online [ECCO]. This ambitious project aimed to digitise "every significant English-language and foreign-language title printed in Great Britain during the  eighteenth century, along with thousands of important works from the Americas." The definition of a 'significant' text remains open to interpretation, but the contents of the archive are undeniably impressive - in its present form it contains more than 180,000 titles. The unparalleled breadth of its coverage - along with the number of university libraries that took up subscriptions - quickly established it as a key focal point for the researching and teaching of eighteenth-century history.In other words, it's a tough act to follow. Enter Nineteenth Century Collections Online [NCCO]. This recently launched project follows in the footsteps of its eighteenth-century predecessor and, in the words of its publisher Gale Cengage, aims to be "the most ambitious scholarly digitisation and publication program ever undertaken." The archive will contain millions of pages of nineteenth-century books, periodicals, diaries, letters, manuscripts, photographs, government records, pamphlets, and maps. More interestingly, it promises researchers the opportunity to subject these sources to some interesting new forms of qualitative and quantitative analysis. I've spent the last few days playing [...]

Last night Jim Mussell posted an excellent review of the British Newspaper Archive on his blog. He makes a number of really important points that I skirted over in my own review. I recommend reading Jim's post in its entirety. However, one of his arguments is particularly worth emphasizing:   This leads me to my second point: the way brightsolid have digitized this material also restricts possible uses. This is a resource for finding articles, not reading newspapers, and this is done by brightsolid’s search engine and database on the user’s behalf. There is no scope here for data mining, for analysis of textual transcripts, or for the interrogation of metadata. This actually runs counter to the dominant trend within both the digital humanities and commercial digital publishing, making BNA seem a little old fashioned. Gale Cengage’s NCCO, for instance, allows users to carry out rudimentary data mining. This is no mere moan about the way the project was executed. Taking advantage of the digital properties of digitized materials is the way in which we learn new things about them. Locking the data away means that users are stuck with old methodologies, treating the articles as if they were printed paper even though they clearly [...]